2 PERF 35MM FILM CAMERAS

* 2 perf 35mm Moviecam SuperAmerica MKII (1-50fps)
Moviecam Speed Box (speed ramping, iris control, fwd/reverse), 45 - 180 degree shutter, Movieglow, b/w video, top / rear magazine load, Moviecam handheld support, long eyepiece, remote start/stop, ARRI BP-3, (2) 500' Mags


^ The MKII configured for handheld. Rock-solid.

* 2 perf 35mm Cinematography Electronics ARRI 2C (1-80fps)
CE Crystal Control Base, P+S Technik PL mount, Jurgen's side door and finder with b/w video, remote start/stop, ARRI BP-3, (1) 400' Mag, (2) 200' Mags

2 perf 35mm Moviecam SuperAmerica MKI (1-50fps)
2 perf 35mm ARRI BL4S Evolution (1-50fps)
2 perf 35mm ARRI BL2 Evolution (4-50fps)
2 perf 35mm ARRI BL1 Evolution (1-100fps)

SUPER 35MM FILM CAMERAS

Super 35mm ARRI 3 (1-140fps)

DIGITAL CAMERAS

* (2) RED Mysterium-X Camera Packages

PRIME LENS SETS

Zeiss Ultra Primes T1.9 (16, 24, 32, 50, 85)
Zeiss Super Speed MK3 T1.3 (18, 25, 35, 50, 65, 85)
Cinevision Anamorphic Primes T1.3 (25, 35, 50, 85, 100)

PRIME LENSES

Zeiss Ultra Prime 10mm T2.1
Canon Optex 14mm T2.8
Zeiss 14mm Super Speed Panspheron T1.3
Ziess 60mm Macro T2.8
Zeiss Standard Speed 135mm T2.1

ZOOMS

Angeniuex 10:1 HR T3.5
Angeniuex 10:1 HP T3.7

MATTEBOX

ARRI MB-14 6x6 Mattebox Kit
ARRI MB-18 4x5 Mattebox Kit
ARRI MB-19 4x5 Mattebox Kit
ARRI MB-16 4x4 Mattebox Kit
ARRI LMB-4A 6x6 Clamp-on
Chroziel 4x5 Combo Clamp-on
Formatt 4x4 Clamp-on

FILTERS

Schneider 4x4 Filters
Pancro 4x5 Filters
Panrco 6x6 Filters

FOLLOW FOCUS

ARRI FF-3 Double-sided Follow Focus Kit
ARRI LHF-1 Lighweight Single-sided Follow Focus Kit

SUPPORT

Ronford Support Package (Standards w/ TRX Spreaders, babies, hi-hat)
O'Conner 2575B Fluid Head
Sacthler 7+7 Studio 2 w/ Mitchell Base
ARRI S3 Handheld Rig

If you take a 35mm camera that was more advanced than anything of it's time and team up with a German helicopter engineer and rebuild the movement to run at two perforations of 35mm negative per frame and construct a 2.35 aspect ratio gate, then you've just created Multivision 235. It's brilliant, a 400' mag lasts 8.8 min instead of 4.4, you're saving 50% on raw stock and processing, and you're shooting through spherical glass which is often faster, sharper and more common than anamorphic. I shot two 2 perf films this past year and the latitude and the resolution of film is mindblowing, 5219 even looks good at 2000 asa.

^ The resolving power of the 2 perf frame is 3x greater than Super 16 and virtually indistinguishable from Super 35.

^ Multivision cameras have open gates so there's still a little freedom for reframing in post.

Please contact us about booking a camera and for complete package details! [ email ]
Thinking of shooting 16mm? Check this quick comparison [ 2 perf vs Super 16 ]

External links:
- Wikipedia on Techniscope -
- Fragment movie trailer shot with Multivision - Andrew Lesnie shoots 2 perf -